The Fiat S76 or "Beast of Turin" is a Goodwood favourite and can usually be heard before it is seen at #FOS
Spectate from the chicane at the Revival to see plenty of classic cars going sideways as they exit this infamous point of our Motor Circuit.
The red & yellow of the Racecourse can be traced back hundreds of years, even captured in our stunning Stubbs paintings in the Goodwood Collection
Whoa Simon! A horse so determined and headstrong, he not only won the 1883 Goodwood Cup by 20 lengths, but couldn't be stopped and carried on running over the top of Trundle hill
Our gin uses wild-grown botanicals sourced from the estate, and is distilled with mineral water naturally chalk-filtered through the South Downs.
The oldest existing rules for the game were drawn up for a match between the 2nd Duke and a neighbour
The replica of the original Axminster carpet is so lavish that the President of Bulgaria came to visit it before its departure!
From 2005 to present there has been a demonstration area for the rally cars at the top of the hill
Inspired by the legendary racer, Masten Gregory, who famously leapt from the cockpit of his car before impact when approaching Woodcote Corner in 1959.
For safety reasons F1 cars can no longer do official timed runs so instead perform stunning demonstrations!
Legend of Goodwood's golden racing era and Le Mans winner Roy Salvadori once famously said "give me Goodwood on a summer's day and you can forget the rest".
Spectate from the chicane at the Revival to see plenty of classic cars going sideways as they exit this infamous point of our Motor Circuit.
Legend of Goodwood's golden racing era and Le Mans winner Roy Salvadori once famously said "give me Goodwood on a summer's day and you can forget the rest".
Our replica of the famous motor show showcases the "cars of the future" in true Revival style
Goodwood Motor Circuit was officially opened in September 1948 when Freddie March, the 9th Duke and renowned amateur racer, tore around the track in a Bristol 400
Future Lab is Goodwood's innovation pavilion, inspiring industry enthusiasts and future scientists with dynamic tech
The first public race meeting took place in 1802 and, through the nineteenth century, ‘Glorious Goodwood,’ as the press named it, became a highlight of the summer season
One Summer, King Edward VII turned his back on the traditional morning suit, and donned a linen suit and Panama hat. Thus the Glorious Goodwood trend was born.
The first public race meeting took place in 1802 and, through the nineteenth century, ‘Glorious Goodwood,’ as the press named it, became a highlight of the summer season
The first public race meeting took place in 1802 and, through the nineteenth century, ‘Glorious Goodwood,’ as the press named it, became a highlight of the summer season
King Edward VII (who came almost every year) famously dubbed Glorious Goodwood “a garden party with racing tacked on”.
Sir Stirling Moss was one of the founding patrons of the Festival of Speed, and a regular competitor at the Revival.
One of the greatest golfers of all time, James Braid designed Goodwood’s iconic Downland course, opened in 1914.
Built in 1787 by celebrated architect James Wyatt to house the third Duke of Richmond’s prized fox hounds, The Kennels was known as one of the most luxurious dog houses in the world!
Flying training began at Goodwood in 1940 when pilots were taught operational flying techniques in Hurricanes and Spitfires.
One of the greatest golfers of all time, James Braid designed Goodwood’s iconic Downland course, opened in 1914.
Ray Hanna famously flew straight down Goodwood’s pit straight below the height of the grandstands at the first Revival in 1998
Flying training began at Goodwood in 1940 when pilots were taught operational flying techniques in Hurricanes and Spitfires.
The Motor Circuit was known as RAF Westhampnett, active from 1940 to 1946 as a Battle of Britain station.
We have been host to many incredible film crews using Goodwood as a backdrop for shows like Downton Abbey, Hollywood Blockbusters like Venom: let there be Carnage and the Man from U.N.C.L.E.
"En la rose je fleurie" or "Like the rose, I flourish" is part of the Richmond coat of Arms and motto
Ensure you take a little time out together to pause and take in the celebration of all the hard work you put in will be a treasured memory.
Leading women of business, sport, fashion and media, take part in one of the most exciting horseracing events in the world.
The first ever round of golf played at Goodwood was in 1914 when the 6th Duke of Richmond opened the course on the Downs above Goodwood House.
The Motor Circuit was known as RAF Westhampnett, active from 1940 to 1946 as a Battle of Britain station.
Whoa Simon! A horse so determined and headstrong, he not only won the 1883 Goodwood Cup by 20 lengths, but couldn't be stopped and carried on running over the top of Trundle hill
Our gin uses wild-grown botanicals sourced from the estate, and is distilled with mineral water naturally chalk-filtered through the South Downs.
The famous fighter ace, who flew his last sortie from Goodwood Aerodrome, formerly RAF Westhampnett has a statue in his honor within the airfield.
The Motor Circuit was known as RAF Westhampnett, active from 1940 to 1946 as a Battle of Britain station.
Built in 1787 by celebrated architect James Wyatt to house the third Duke of Richmond’s prized fox hounds, The Kennels was known as one of the most luxurious dog houses in the world!
Built in 1787 by celebrated architect James Wyatt to house the third Duke of Richmond’s prized fox hounds, The Kennels was known as one of the most luxurious dog houses in the world!
The famous fighter ace, who flew his last sortie from Goodwood Aerodrome, formerly RAF Westhampnett has a statue in his honor within the airfield.
The famous fighter ace, who flew his last sortie from Goodwood Aerodrome, formerly RAF Westhampnett has a statue in his honor within the airfield.
Intricate, inventive and each completely unique, artist Tess Morley’s shellwork creations are a fantastical feast for the eyes.
Words by Bethan Ryder
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Visitors to the beaches of Sussex might well spot artist Tess Morley “walking with a stoop and a jar”, combing the shore, seeking out unusual crustaceous gems to haul back to her Worthing studio. Raised by the sea, Morley grew up a habitual beachcomber, but it was only after studying fine art at the University of Brighton that her obsessive collecting found a creative outlet. Now one of Britain’s leading shellwork artists, over the past 20 years she has carved out her own particular niche in this decorative art, dividing her time between restoring historic shell grottos and creating covetable ornamental objects, mirrors and accessories.
“I like the old-fashioned look of cabinets of curiosities,” she says, explaining her broad range of inspirations. “My nautilus cups are based on rococo objects, but I also like to have a more contemporary twist to my work – like the oversized mirrors with white shell frames that American customers love for their bathrooms.” This organic, sculptural form of mosaic, the roots of which can be traced back to ancient Greece and Rome, has stood the test of time. It resurfaced during the Italian Renaissance and swept into Britain soon after. By the Georgian era, shellwork was all the rage: no self-respecting country seat was complete without its own fairy tale grotto intricately embellished with beautiful shells, often imported to order from the colonies.
By the Georgian era, shellwork was all the rage: no self-respecting country seat was complete without its own fairy tale grotto intricately embellished with beautiful shells, often imported to order from the colonies.
In recent years Morley has been regularly tending her local grotto, the Goodwood Shell House, built in the 1740s by the 2nd Duke of Richmond for his wife and daughters to decorate. “I’ve been involved for about 10 years,” she says. “It’s very fragile and requires careful specialist cleaning. More serious restoration work was done a little while ago.” Those repairs included the Tympanum Arch, where a section of shellwork decoration had detached from the wooden panelling exposing an open space behind. Morley installed a hardwood batten, sealing it with shellac before applying conservation putty and reattaching the fallen limpet shells.
She is clearly meticulous about both materials and methodology. “For Goodwood, I use a recipe which I thoroughly researched from some original putty that I had analysed,” she explains. “It’s completely natural, contains lime, and is quite slow to cure, allowing you more freedom to alter a design.” For her own pieces, often with tighter deadlines, modern mastics are more appropriate. The creative process involves Morley painstakingly laying out her design, flat, shell by shell – many obtained from local restaurants (after their bivalve occupants have been consumed), or donated by friends. Photographs are taken for reference and only when she’s happy with the design are the shells affixed to whatever the object is – such as a frame or lamp base. A small casket, like the octagonal one sold via Mayfair’s The New Craftsmen, can take several weeks to complete, which explains its £1,800 price tag.
Catherine Lock, co-founder of The New Craftsmen, believes the shellwork revival is connected to a wider trend. “There’s a definite move towards decorative ornamentation,” she says. “We’re rediscovering the neoclassical era when all the greats – Robert Adam, Capability Brown and Josiah Wedgwood – were at their height. Shells are objects of great wonder and curiosity. And there’s something quite fantastical about shellwork – the idea of finding a piece of nature’s own craftsmanship on a beach and turning it into something of great beauty.” Couple this with the design world’s current emphasis on sustainability and the respectful use of natural materials and it seems the interiors world will continue to be, quite literally, Morley’s oyster.
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summer
estate
nature
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